Dolan bergin talks

 
Music

Dolan Bergin is one of the masterminds behind Electric Minds, a series of parties that has rightfully gained the reputation of being amongst the best in the capital. We got the chance to catch up with him before he brings the superb pairing of Motor City Drum Ensemble and Efdemin to East London this Saturday to talk about the night, the label and a little bit about himself too

Hi Dolan, how are you? What have you been up to?

Things are good thanks, just appreciating some time without so

many events at the moment. With my partner Ajay, we finished

the Hydra series on New Years Day, so for 2013 we wanted to map out the year with less London events in the Spring / Summer and concentrate on the festival bookings and also the 2013 Hydra series which starts on the 23rd August. So while we have fewer events for the first half of the year there is a lot to do to get the series in place.

What’s your background in music? How did you end up getting

into the electronic music scene?

Its a bit of a clich but I remember always being interested in

music and when I discovered the rave scene around 92 / 93 and I was hooked, so in one way or another I’ve been involved ever

since. I was very young at the time but I later started working for record labels like Warner, BMG a little later on so the career in music properly started there.

What made you want to try your hand at promotion?

I just always seemed to be the one organising trips to festivals or throwing parties at university or in a warehouse I used to live in Dalston. It just seemed to happen organically and when throwing raves in the place I lived became a little awkward for my flat mates, I started searching for empty spaces so I could produce them myself. Of course once you start having to front the costs of making those events happen, you need to think about promotion to make sure its not just you drinking a beer at the bar.

It’s a really healthy time for house / techno club nights in London

at the moment, what do you think has made Electric Minds so

successful?

In one way it is very healthy as there are a lot of talented producers

in London right now but I also think the events side of things is

pretty stale. There is a lack of decent venues, certainly the larger

spaces that can house the bigger events and so many parties taking

place that lack any real imagination when it comes to the bookings

and production. I’d like to think we try and do things differently,

weve stuck to our guns with the music we’re passionate about and

hopefully that shows a level of consistently and a standard that

people can expect.

Of course, you’ve been running a label alongside the promotional

side of things for a few years now. Did that seem like a natural

progression? What’s the ethos behind the label? Any future

releases we should be looking out for from the label?

The main reason for starting the label was to release music from

the artists that play at our events and that is still very much the

case. I had a background of working with labels so it felt like a

natural progression for me but it’s a time consuming project so it

had to be about the enjoyment of working with the music rather

than a tool for promotion or making money. For the new bits weve

just released a great 3 tracker from Echer:

IFrame

There is a new Move D 12 with remixes from Jay Shepheard,

Endian and Duff Disco on that one. Also hope to develop some

new material from Velvit (Dbridges house alias) in the coming

weeks and a further 12 from Endian.

Your upcoming night with Motor City Drum Ensemble and

Efdemin is in association with Dimensions Festival, how did you

get involved with them?

My partner Ajay worked with Dimensions on their London launch

party last year so they kindly asked us to get fully onboard for

2013. Weve been going to Croatia for 5 years now and its always a

highlight of the summer so after everyone raved about the first

Dimensions Festival last year, were really looking forward to our

first appearance with them.

Have you got any plans to make the jump to a bigger ‘weekender’

style event, or has the failure of BLOC last year made you slightly

wary?

Not if it means we have to go down the route like so many festivals

of being a carbon copy of each other, same line-ups, different

site. Bloc were the one organisation that proved you could do

things differently when it come to the bookings but unfortunately

that didnt work out and I can’t imagine there will be an equivalent

any time soon. I think for the time being we prefer to work with

the same number of people spread out over a period of time and

hopefully by doing so continue to have freedom in the bookings we

make. You never know though and as we produced some events

for 2k people last year and there will be a few more on that scale

this year, its only natural we want to progress with that and see it

grow.

You’re a resident at the night as well, what’s your approach to

DJing?

I still really enjoy buying music, I think there is something nostalgic

for me in the process of buying records and playing the music at

home. So to then be able to play the music on a nice sound system

that weve produced for a party and seeing other people into the

music in the same way, its a really fun thing to do. So I guess the

approach is to just play what you enjoy and not too far from what

people have come to hear. Of course it can be so much more in-

depth than that and we could talk about vinyl vs. digital, digging for

music, equipment used ……….zzzzzzzzzzzzzzzzzzzzz

Having been involved with a label and night for so long, have you

considered making the plunge into production?

I’d really like to and I have tried in the past by doing a Logic course

and giving it a bash at home but its so hard to find the time to

commit to it outside of what I already have going on, so I think Ill

leave it in the capable hands of the producers I know are already

very accomplished.

What’s been your defining moment from an Electric Minds party

thus far?

Being asked to do a label party at Panorama Bar has been a

defining moment for sure, it will be one of our first events of 2013

so its a great way to start the year.

If you could book any artists, past or present, for Electric Minds,

who would it be?

By the time we get to the end of the 2013 Hydra series, well have

hopefully worked with them all : )

Info on the Phonica In Store with MCDE

Info and tickets for Electric Minds Dimension Festival Launch

Dolan Bergin is one of the masterminds behind Electric Minds, a
series of parties that has rightfully gained the reputation of being
amongst the best in the capital. We got the chance to catch up
with him before he brings the superb pairing of Motor City Drum
Ensemble and Efdemin to East London this Saturday to talk about
the night, the label and a little bit about himself too
Hi Dolan, how are you? What have you been up to?
Things are good thanks, just appreciating some time without so
many events at the moment. With my partner Ajay, we finished
the Hydra series on New Years Day, so for 2013 we wanted to map
out the year with less London events in the Spring / Summer and
concentrate on the festival bookings and also the 2013 Hydra series
which starts on the 23rd August. So while we have fewer events
for the first half of the year there is a lot to do to get the series in
place.
What’s your background in music? How did you end up getting
into the electronic music scene?
Its a bit of a clich but I remember always being interested in
music and when I discovered the rave scene around 92 / 93 and I
was hooked, so in one way or another I’ve been involved ever
since. I was very young at the time but I later started working for
record labels like Warner, BMG a little later on so the career in
music properly started there.
What made you want to try your hand at promotion?
I just always seemed to be the one organising trips to festivals or
throwing parties at university or in a warehouse I used to live in
Dalston. It just seemed to happen organically and when throwing
raves in the place I lived became a little awkward for my flat mates,
I started searching for empty spaces so I could produce them
myself. Of course once you start having to front the costs of
making those events happen, you need to think about promotion
to make sure its not just you drinking a beer at the bar.
It’s a really healthy time for house / techno club nights in London
at the moment, what do you think has made Electric Minds so
successful?
In one way it is very healthy as there are a lot of talented producers
in London right now but I also think the events side of things is
pretty stale. There is a lack of decent venues, certainly the larger
spaces that can house the bigger events and so many parties taking
place that lack any real imagination when it comes to the bookings
and production. I’d like to think we try and do things differently,
weve stuck to our guns with the music we’re passionate about and
hopefully that shows a level of consistently and a standard that
people can expect.
Of course, you’ve been running a label alongside the promotional
side of things for a few years now. Did that seem like a natural
progression? What’s the ethos behind the label? Any future
releases we should be looking out for from the label?
The main reason for starting the label was to release music from
the artists that play at our events and that is still very much the
case. I had a background of working with labels so it felt like a
natural progression for me but it’s a time consuming project so it
had to be about the enjoyment of working with the music rather
than a tool for promotion or making money. For the new bits weve
just released a great 3 tracker from Echer:
http://www.youtube.com/watch?v=h-JW2Pilb8c
There is a new Move D 12 with remixes from Jay Shepheard,
Endian and Duff Disco on that one. Also hope to develop some
new material from Velvit (Dbridges house alias) in the coming
weeks and a further 12 from Endian.
Your upcoming night with Motor City Drum Ensemble and
Efdemin is in association with Dimensions Festival, how did you
get involved with them?
My partner Ajay worked with Dimensions on their London launch
party last year so they kindly asked us to get fully onboard for
2013. Weve been going to Croatia for 5 years now and its always a
highlight of the summer so after everyone raved about the first
Dimensions Festival last year, were really looking forward to our
first appearance with them.
Have you got any plans to make the jump to a bigger ‘weekender’
style event, or has the failure of BLOC last year made you slightly
wary?
Not if it means we have to go down the route like so many festivals
of being a carbon copy of each other, same line-ups, different
site. Bloc were the one organisation that proved you could do
things differently when it come to the bookings but unfortunately
that didnt work out and I can’t imagine there will be an equivalent
any time soon. I think for the time being we prefer to work with
the same number of people spread out over a period of time and
hopefully by doing so continue to have freedom in the bookings we
make. You never know though and as we produced some events
for 2k people last year and there will be a few more on that scale
this year, its only natural we want to progress with that and see it
grow.
You’re a resident at the night as well, what’s your approach to
DJing?
I still really enjoy buying music, I think there is something nostalgic
for me in the process of buying records and playing the music at
home. So to then be able to play the music on a nice sound system
that weve produced for a party and seeing other people into the
music in the same way, its a really fun thing to do. So I guess the
approach is to just play what you enjoy and not too far from what
people have come to hear. Of course it can be so much more in-
depth than that and we could talk about vinyl vs. digital, digging for
music, equipment used ……….zzzzzzzzzzzzzzzzzzzzz
Having been involved with a label and night for so long, have you
considered making the plunge into production?
I’d really like to and I have tried in the past by doing a Logic course
and giving it a bash at home but its so hard to find the time to
commit to it outside of what I already have going on, so I think Ill
leave it in the capable hands of the producers I know are already
very accomplished.
What’s been your defining moment from an Electric Minds party
thus far?
Being asked to do a label party at Panorama Bar has been a
defining moment for sure, it will be one of our first events of 2013
so its a great way to start the year.
If you could book any artists, past or present, for Electric Minds,
who would it be?
By the time we get to the end of the 2013 Hydra series, well have
hopefully worked with them all : )